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The Synthi sounds unbelievably rich, shored up nicely with those included FX, with plenty of immediate control and diversity in sound, thanks to the modulation patch grid, which adorns the centre of the panel. Unlike the original hardware, the Synthi V can operate with up to four-note polyphony, with further polyphony being available to all the other mono synths in the package.
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The original, portable machine was a particular favourite with Jean-Michel Jarre and Pink Floyd, with the default patch offering a sense of the latter, being aptly titled ‘On The Run’ – clearly referring to the cut from The Dark Side Of The Moon. On the runįurther new additions to this already comprehensive suite include the Synthi V, which is based on the EMS Synthi AKS. Anyway, there’s a healthy contingent of effects, all placed at the instrument level – you’ll find everything from reverb, delay and modulation effects to full-blown sequencing options, although how useful the latter might prove is purely down to their placement or usage they’re possibly not so useful for DAW users, but in a live setting, these could easily be triggered to create specific riffs within songs. Clearly, what is fashionable now might also have been before and have simply come around again.
This is a fair point with all of the included instruments regardless of the age of the piece of equipment which Arturia has cloned in software, they all have both a classic and contemporary spin. There is no doubt that these sounds, while deserving of classic status, do sound pretty dated now, especially as you can hear the glitching of the shortened sample-loop points, but you would surely miss them from the patch list, should they not be represented. The CMI V brings us the green stylings of the Fairlight CMI and within seconds of loading, you’ll be transported back to the 80s, while reproducing much of the Art Of Noise back catalogue, with a smattering of Owner Of A Lonely Heart. While not one of the newer inclusions, this is a perfect time to mention another classic sampler, which is also represented in this collection. Thanks to the three-part layering, it’s pretty easy to create those classic string and choir sounds, either through layering, or zoning of timbre across the keyboard, allowing for the ability to – ironically enough – create a more realistic sound, at least for a Mellotron.
Further still, there are plenty of elements open to addition or control of sound, such as the fluttering of the tape or the sound of the tape mechanism, which can be increased in volume to further emphasise the analogue credentials of the original. This allows for a beautiful level of performance control, which may also be edited to suit the player’s needs.
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Loaded with the most famous of Mellotron sounds, such as the flutes from The Beatles’ pioneering Strawberry Fields Forever, Arturia has cannily added the ability to crossfade from one sound to another via the use of the mod wheel. It’s perhaps quite fitting that one of the new inclusions to this package is the Mellotron V, often regarded as the first true sampler, but firmly in analogue form – thanks to the use of analogue tape – and the hefty playback mechanism. The list isn’t purely about synthesizers, thanks to the presence of both Rhodes and Wurlitzer electric pianos, as well as the Piano V2, which includes 12 different piano models. The latest version feels easier to work with, while the details are clearer to see, partly due to the increased image sizing.Īnd so the list of classics continues, with the Jupiter-8V, Oberheim SEM, and even the Solina String machine. Wherever you delve in the collection, a weighty palette awaits, with another particular favourite from the old batch being the software emulation of the Yamaha CS-80, now also given the v3 brush-up. The accuracy of sound is largely down to Arturia’s True Analog Emulation (TAE) modelling technology, which for my money has always provided the essence of analogue in a software construct. With similar credentials, the Moog Modular, which is also in its v3 incarnation, is laden with oscillators, sequencers and more, all strung together by virtual patch cables. It continues to pack the mightiest of punches, with a substantial depth to its sonic makeup that will have the room shaking in seconds. My guess would be that with the recent hardware mono-monsters that have come to market, many might overlook this slightly humber soft-synth, but do so at your peril.
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Download NOW Arturia V Collection DX8 v1.The aforementioned Minimoog is now in its v3 release, and continues to be a superb-sounding software recreation of the real thing.
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